Harmonic EP by Cossway / R&R remix (snippets) SD007 | soon…

Harmonic EP by Cossway/R&R remix

Hello everyone, welcome to another SD edition. For this EP the focus is on Cossway, artist from Moscow, Russia, with his work within the specter of House. Themes with a good rhythm and that invite us to appreciate their content with dance, physical or mental, plus a great remix by R&R from South Africa.
It will be release in this month of December of 2016, so… soon will be available,

Cossway Soundcloud / Facebook
R&R Soundcloud / Facebook

Let us know what do you think about it…


Deep Electronics Podcast # 125 – Grad_U – Special Knowone Label Mix

Like big fans of Grad_U’s work and Knowone’s label, its great to compress this 2 blocks.
Special Knowone Label Mix by Grad U.
If you enjoy Dub Techno, taste this flavour and get lost on the deepness of it.

SD…to feed the soul!

SoundDesigners Podcast #50 May Mixed By Ocralab

Podcast 50 Ocralab

Hello All,

After some time without the podcast’s edition, we return back again with new rotations.
May is the month that now begins, and nothing better than an inspiration for it.
The artist that we present this month, is from Potenza, Italy, with Ocralab like alter-ego. Besides working on dj format, he is also a producer within the Ambient / Dubtechno spectrum.
For us, developing a very successful work, with charisma in sonic realms. No doubt that Ocralab can carry you to the other side. Nothing better than you to confirm. I leave you with our friend Rocco Biscione.
See you on the next time,


Monolake Nucleus
Thore Pfeiffer Wie es euch gefallt
Stephan Laubner Make Believe
How To Disappear Completely Fracture
Aura Fresh No Plug In
Ocoeur Envol
Liquid Delay The Depth of the Height
Sven Schienhammer Sound Signals For Other Planets
Vectrex Silent
Ocralab Perlucidus
Hans Zimmer Atmospheric Entry
Volunteer Crumbs Untitled A

Ocralab links:


SD…to feed the soul!

Synth Cave with Alessandro Cortini

Well, you saw the title, to describe what, if you can see with your own eyes.
By the way…i love this fuc*ing cave!

Alessandro Cortini – In The Synth Cave Part 1

Alessandro Cortini – In The Studio Part 2

Alessandro Cortini – Fire Up The Buchla Part 3

SD…to feed the soul!

Ghost Data LP by Phantom Network (SDTG005) is OUT NOW!

artworkGhostdata LP SD006

Another edition with the SoundDesigners stamp inside our Technogate line. An artist from London who debuts in our team. The UK Richard Simmons with the alias Phantom Network on the LP called Ghost Data. No doubt that this work is full of good, dynamic, delicate taste, subtlety, strength, innovation and personality. After these accolades, clear that we want this kind in our midst. While traveling on this LP, you can move in many scenarios either in stimulating our imagination either on the dance floor. Chords with the very present, flew on a carpet mainly be Deep Dub techno and beyond. It is very appealing to lovers of this type of landscapes. This ghost information can be reflective and instructed of foundation of dance, whether that is shed in this 6 themes. Phantom Network shows in this fantastic LP that did not come here to play but to add something to our world. Always with the balance this need not forgetting what may come around in the near future. Hope you enjoy! Until next, with strong love SoundDesigners.

Promo Video

Release date: 07.01.2015
Mastered by Jorge Caiado

VIDEO-Courtesy by Aixelent.

If you like it, support US and buy,


SoundDesigners…to feed the soul!

Vladislav Delay Goes Digital

One topic that always arouses much controversy. The vinyl is all one story, the beginning of the legacy of electronic music,later appears the digital format which destroys the entire industry that vinyl built in decades. The music industry suffers a change of 180 degrees. It is necessary to adapt and the main question is What to do? In this interview Vladislav Delay tell us what decided after his experience.
SD Love,


Veteran experimental producer Vladislav Delay is taking the digital plunge. The vinyl stan has announced that he’s remastered the records on his Ripatti label in preparation for its digital release, which made us wonder why he held out so long and what convinced him to change his mind. It turns out that Delay, who has contributed to some of our favorite labels (Chain Reaction, Mille Plateaux, Raster-Noton, Semantica), has struggled with the challenges that have transformed the music industry since the advent of digital media, and he’s had to compromise certain aspects of his artistic vision in order to remain solvent. We reached out to get his thoughts on the strengths and pitfalls of both mediums and what it takes to make money in the contemporary music industry.

The first and most obvious question is, what made you change your mind?

Seeing the sales reports, basically. I ran out of money to release more vinyl without selling them [digitally].

Why and when did you decide to release your records digitally?

I kept looking at the situation by each release, then hired a press agency to make people aware of the releases and try to sell some copies. When that didn’t change anything, and I reached catalog number 07 and made deep losses, I just had to accept the situation. I kept at it as long as I could, thinking it will pick up eventually, but it didn’t. I can’t keep paying a lot of money to release the music. Zero return would be okay, but not losing more money than I have.

Why were you originally opposed to the idea of releasing digital records?

I really don’t like the digital format. I guess I’m just a simple person and I trust and feel things more when I can see and hold them. The file compression [algorithms used by] major digital [retailers] makes everything sound pretty bad. It’s just too simplistic. And the way it enforces the fast-commodity kind of music consumption, I can’t say I’m a big fan of that.

There are some positive sides to releasing digitally. There’s no endless hassle with pressing vinyls and waiting for delays in production line, so I can release music quite effortlessly. Also, making vinyl sound good is such a big effort, and even then the end results with each listening situation differs quite a bit, so each listener has a different-sounding version, in a way. Digital, at least when listened at high-res formats, allows people to hear the same as I do if their monitoring system is correct, and I like that a lot.

One of the things that was important for me when I started the label was that I could offer something that has value and lasts longer than your hard drive. I never was into vinyl so strongly. I chose the format because I had no other options. I never said vinyl sounds great. It can sound great if you’re very wealthy, but that’s not my average listener, I guess. No fancy high-end turntable set-ups. So, because I’m not attached to vinyl that much, it’s not in principle a big deal to let that go. But practically, that there’s nothing physical anymore is a huge loss.

Whenever the topic of “going digital” comes up, I’m reminded of this Twitter conversation between Aurora Halal, Shawn O’Sullivan, and a few other producers/writers/industry types. I think O’Sullivan’s comments are really interesting, that refusing to release digitally is a way of opposing dominant means of distribution. Was there ever a political element like that to your decision to release only on vinyl? 

No, I never had political ideas about the vinyl or release medium. To be honest, life is too short for me to get into these theories and politics. I’d really rather focus on making the music. I’m not the one trying to change the game or oppose this or that, I’m trying to find a way to do my own thing out there and today’s world apparently asks you to be rather flexible. It makes it hard to create longevity and a body of work though. But yeah, the focus is content now, not the packaging.

(Provided by Electronic Beats by Elissa Stolman about Vladislav Delay )

SD…to feed the soul!

RBMA in Tokyo (2014) – Lectures with Untold, Holly Herndon, and Dave Smith


[ – It’s always interesting to see and learn from the lectures of the Red Bull Music Academy. Artists of all persuasions show us experiences, techniques, ways to look at another perspective …. It is with this exchange that we add more to our world, whether artistic or personal.
Derived from all these factors, here are the latest (lectures) made by the great facility, name, Red Bull. Were held in Tokyo recently. For those who like something more, for those looking for the infinity of knowledge, which of course, feeds the soul,
here it IS, with love.]

Currently in session in Tokyo, in-depth lectures from the 2014 edition of Red Bull Music Academy have begun to surface online. Pulled from RBMA’s first round of lengthy conversations is a particularly informative lecture with innovative UK artist and Hemlock label head Untold, who weaves through his catalog and history as a producer, touching on a number of topics along the way. Also recorded during RBMA Tokyo’s ongoing lecture series are interviews with experimental artist and RVNG affiliate Holly Herndon as well as famed synth designer and production-gear pioneer Dave Smith. All three RBMA conversations are available to watch in full below.

This post was provided by XLR8R
(Text by James Eaton)

SD…to feed the soul!